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Once the province of sailors and mercenaries, tattoos and other body markings are now widespread not only amongst sub-cultures such as punks and Hells Angels but also as a fashion statement amongst the younger generation. The sub-cultures are viewed with distaste and suspicion, seen as threatening and uncouth whilst the younger people see their body adornments as ‘cool’ and ultra fashionable. This dichotomy and the associated blurring of boundaries can be seen as the beginning of the legitimisation of the tattoo or it can be read as a further degeneration in the moral climate of today’s youth. There is a move to re-classify tattooing as socially acceptable, headed by the practitioners of tattooing, who appear to be very aware of this dichotomy; some advertise themselves as tattooists whilst others are self-styled tattoo artists with all the related status that the word artist implies. Just as fashion itself was once used to proclaim group membership, such as punks, rockers or hippies, now tattooing and other means of marking the body are the ways of creating a highly visual identity. The one thing that most tattooed people have in common is, ironically, another dichotomy. They simultaneously see themselves as both different (ie individual) and at the same time just like anyone else. As tattooed people rightly say, “The difference between tattooed and non-tattooed people is that we don’t care if you’re not tattooed”. © Jacqui Jay Grafton 2008 |
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